Plus, it can be argued that there can be an element of reclaiming their own bodies when girls and women purposefully choose to take on this guise. [5][6], The concept of the gaze (le regard) was first used by the English art critic John Berger in Ways of Seeing (1972), which presents analyses of the representation of women as passive objects to be seen in advertising and as nude subjects in European art. Proceedings of the National Academy of Sciences. Ultimately, the question is not whether or not girls and women should be able to wear, pose, or represent themselves in whatever way they wantthe answer to that is a resounding, yes. Kevin also gets possessed in the final act of the film by the (dead) bad guy, Rowan which is still very much a part of the usual male gaze tropes. Jane Campions The Piano (1993) expresses the heroines passionate nature through the films famous score. Were going to explain what we mean by the term the male gaze and well show you some examples from recent films. The Male Gaze theory, in a nutshell, is where women in the media are viewed from the eyes of a heterosexual man, and that these women are represented as passive objects of male desire. Regarding the social function of art-as-spectacle, that men act and that women are acted-upon, accords with the social practices of spectatorship, which are determined by the aesthetic conventions of the artistic objectification of men and women, which artists have not transcended in their production of works of art.[22]. [11][12], The existentialist philosopher Jean-Paul Sartre introduced the concept of le regard, the gaze, in Being and Nothingness (1943), wherein the act of gazing at another human being creates a subjective power difference, which is felt by the gazer and by the gazed because the person being gazed at is perceived as an object, not as a human being. ", That the mutual gaze, which seeks neither subordination nor domination of the gazer and the gazed-upon person originates in the mother-child relationship,[30] because Western culture is deeply committed to the myths of the masculine and the feminine to demarcate differences between the sexes based upon the complex social apparatus of the gaze; and second, that said sexual demarcations are based upon patterns of dominance and submission.
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